June 2021 07’29”
July 2021 08’21”
August 2021 03’48”
September 2021 03’11”
October 2021 06’15”
November 2021 03’02”
December 2021 07’40”
January 2022 03’09”
February 2022 04’19”
March 2022 04’46”
April 2022 05’02”
May 2022 11’58”
July 2021 08’21”
August 2021 03’48”
September 2021 03’11”
October 2021 06’15”
November 2021 03’02”
December 2021 07’40”
January 2022 03’09”
February 2022 04’19”
March 2022 04’46”
April 2022 05’02”
May 2022 11’58”
2021-2022, music
GRAYCODE
GRAYCODE
on illusion of time
sound for on illusion of time
now slice
score |
score ||
frame works of Data Composition
documentary
your now
sound for on illusion of time
now slice
score |
score ||
frame works of Data Composition
documentary
your now
2021, composition for various media
GRAYCODE, jiiiiin
GRAYCODE, jiiiiin
sound composition for the mathematical model of dynamic system
drawings for the mathematical model of dynamic system
chaoplexity(Hommage of Rayleigh-Bemard Convection cell)
transducer I
quantized notation
drawings for the mathematical model of dynamic system
chaoplexity(Hommage of Rayleigh-Bemard Convection cell)
transducer I
quantized notation
2020, composition for various media
GRAYCODE, jiiiiin
GRAYCODE, jiiiiin
The modeling of THR resonator (The transcendental resonance discerns from the multivariate Gaussian distribution of the function space of Helmholtz resonator)
2019, data composition produced by ZKM | Hertz - Lab
GRAYCODE, jiiiiin
GRAYCODE, jiiiiin
[0.99d, 0.10e] 00'59"
[0.65d, 0.30e] 00'25"
[0.50d, 0.45e] 00'11"
[0.45d, 0.50e] 00'08"
[0.38d, 0.70e] 00'07"
[0.32d, 0.75e] 00'09"
[0.25d, 0.80e] 00'07"
[0.21d, 0.85e] 00'12"
[0.18d, 0.90e] 00'36"
[0.00d, 1.00e] 00'00"102"
unseen, does not exist in space and does not expand in time 41'39"
[0.65d, 0.30e] 00'25"
[0.50d, 0.45e] 00'11"
[0.45d, 0.50e] 00'08"
[0.38d, 0.70e] 00'07"
[0.32d, 0.75e] 00'09"
[0.25d, 0.80e] 00'07"
[0.21d, 0.85e] 00'12"
[0.18d, 0.90e] 00'36"
[0.00d, 1.00e] 00'00"102"
unseen, does not exist in space and does not expand in time 41'39"
2018-2019, composition for 11 sound tracks
GRAYCODE, jiiiiin
GRAYCODE, jiiiiin
+3x108m/s, beyond the light velocity 07'43"
sine, linear 20-440Hz, 327-447/465sec 01'59"
sine, logarithmic, 20-75Hz, 428-447/465sec 02'20"
noise, logarithmic filter 20-1046Hz, 465sec 00'30"
sine, harmonics 440Hz*4 harmonics(880, 1320, 1760..) 00'17"
sine, linear 20-440Hz, 327-447/465sec 01'59"
sine, logarithmic, 20-75Hz, 428-447/465sec 02'20"
noise, logarithmic filter 20-1046Hz, 465sec 00'30"
sine, harmonics 440Hz*4 harmonics(880, 1320, 1760..) 00'17"
2017, composition for fixed media
GRAYCODE, jiiiiin
GRAYCODE, jiiiiin
Instalation 300m²
Performance 75x16m 1,200m²
Exhibition 5 channel sound and screening in real-time
Performance 75x16m 1,200m²
Exhibition 5 channel sound and screening in real-time
2016, 2017, 2018, composition for audio-visual
GRAYCODE, jiiiiin
GRAYCODE, jiiiiin
aluminium, vinyl, fog 64m³
5 steel boards, score(notation), sound
2017, sound sculpture
shinae kim x jiiiiin x GRAYCODE
shinae kim x jiiiiin x GRAYCODE
2017, sound sculpture
shinae kim x jiiiiin x GRAYCODE
shinae kim x jiiiiin x GRAYCODE
2 steels, 6mm x 1,200mm, sound
2016, sound sculpture
shinae kim x jiiiiin x GRAYCODE
shinae kim x jiiiiin x GRAYCODE
Copyright © 2022 GRAYCODE. All rights reserved.